WATERCOLORS
Aspenrock
"Aspenrock" by Trudie Schuyler Barreras. Watercolor. From the collection of Gail and Milton Pate. As mentioned, besides her early childhood endeavors of drawing horses and faces on whatever paper she could get her hands on "during the war's paper shortage" Trudie really began to learn to paint during her father Ted Schuyler's "plein air" watercolor excursions to teach his art classes, which were, in fact, a major source of the family's income during her growing-up years. This watercolor is "pure Schuyler" in technique.
Tsaile Peak from Wheatfields Lake
Tsaile Peak from Wheatfields Chapter House. 1978 by Trudie Barreras. Trudie greatly enjoyed the landmark volcanic rock visible from their home in Tsaile. This is from the a different vantage point, near Wheatfields Lake. Watercolor. From the collection of Tish and Curt Gorman. It was painted during the glorious years 1974-78, and was one of the paintings Trudie did "on site" with her beloved horse Maggie grazing nearby, after having carried the artist some 10 miles or so to the local along with painting supplies in saddle bags.
Golden Tree
Golden Tree by Ted Schuyler 1969. Watercolor. From the collection of Gail and Milton Pate. The Pates were friends while Ray and Trudie we living in Tsaile and teaching at (then) Navajo Community College). This painting may have been acquired when Gail was on a school-related trip to Albuquerque with Ray and they stopped by the Schuyler home in Albuquerque.
Adobe in Scrubline
Adobe in Scrubline. Watercolor by Trudie Barreras. 1992. Although this was painted while visiting daughter Tish in Gallup, NM, Trudie recalls spending the "war years" from 1942 - 46 in that town and some of her earliest memories are of her parents sketching similar scenery. From the collection of Tish and Curt Gorman
Rocks in Tijeras Canyon
Blind Violinist
Blind Violinist by Ted Schuyler circa 1930. Watercolor. Size 16 x 20. Painting is also known as "Uncle George". George was a relative of Ted's, we believe his mother's brother. This painting was from the collection of Art Matthews but was returned to Trudie after Art's death. Although George was their ancestor also, neither of the Matthews daughters had any sentimental attachment, or cared for displaying the painting in their homes. It is, as mentioned, a rare watercolor portrait. Neither of the Schuylers really used the medium for portraiture, preferring oils.